Saawariya Sanjay Leela Bhansali’s first movie with actors making their debut- Ranbir Kapoor and Sonam Kapoor. The expectation from the director who did justice to a sensitive story of Black and turned it into a masterpiece is high. The thirst to see new superstars, the generation next of the bollywood film industry is also very high. For the first time some big production group like Sony Tri-Star is involved with a bollywood flick. The Indian commercial cinema does not get bigger than this, although the Indian commercial cinema does not gets boring than this either.
Saawariya is a celluloid depiction of a novel “White Nights” by Fyodor Dostoevsky’s. The story is of a boy who has more or less no past and is all alone in this world (as almost all characters in Hindi films either one parent or both parents are dead) arrives in a new town. This new town is mystic and gorgeous; I have never seen a place like this in my entire life, both on and off screen. Beautiful, real eye candy. The sets of the movie have been so meticulously designed that one is really spell bound by the look of this place. The sets remind one of the Hollywood flick “Moulin Rouge”
The Plot (not revealed read along):-
The plot of the movie is more or less what it is revealed in the movie promos. Love story of two youngsters. I have not read the novel “White Nights” and from the look of it as depicted in the movie, it seems like a good read. Although the story seems conventional, Sanjay Leela Bhansali fails to keep the audience entertained. The story has fewer characters that seem to be important as far as penning a novel is concerned but are irrelevant in the movie.
The Characters and Actors:-
Ranbir Kapoor- Grandson of legend Raj Kapoor sahib, is very promising indeed. He lives up to the expectations and gives a brilliant performance as “Ranbir Raj.” Although in some scenes he seems to be imitating Hrithik Roshan. The movie revolves around him and he shows great potential to carry the responsibility of a solo lead for any movies he may sign in the future.
Sonam Kapoor- Daughter of a well established actor Anil Kapoor, acting seems to come naturally to her. Seeing her performance as “Sakina” one may wonder that she wanted to be an assistant director or director and not take up acting as a career. She is very pretty, although she may face some competition from OSO lead Deepika Padukone. (Though the comparison seems unfair, but is inevitable considering both made their debut on the same Friday)
Salman Khan- Sallu miya, in a brief appearance in the movie is very effective. His character “Imaan” is a powerful and an important one as far as the plot of the movie is concerned. Fans expecting elaborated appearance of him will be let down as salmaan gives only a cameo in the movie.
Rani Mukherjee- Rani is no longer “Rani” of the Indian film industry. She gives a mediocre performance as “Gulab” which may, to some seem like an extended version of her character in “Laga Chunari Mein Daag.”
Zohra Sehgal- Old is gold. She is as energetic as any other actor in the movie. Her character “Lilly pop” as Ranbir Raj calls her is of an old landlord who is very rowdy and likes her solace.
The mesmerizing music-
The music of Saawariya is the soul of the movie. Monty (who formerly assisted Ismail Darbar in Devdas) gives a very excellent album with a variety of melodious compositions.
Saawariya- The title track, also introduction song of Ranbir Raj is just fantastic. The song is also choreographer very well, with Ranbir Kapoor taking the stage in a fashion only a superstar or a rock star could pull off.
Masha Allah- This is the introduction track for Sonam Kapoor and no doubt the character Ranbir Raj exclaims “Masha Allah” because Sonam Kapoor is so pretty that she can make anyone (also in reality as in movie)spell bound by her beauty. The chemistry between the two is so realistic that one may wonder what’s cooking off screen?
Jab se tere naina- Why? Why on earth did Ranbir Kapoor take off almost all his cloths for this song? Sanjay Leela Bhansali makes him do a “mere khwabon mein jo aaye” kajol style for no apparent reason. The song though is as beautiful as any other song in the movie. There is a good fusion of various styles like Gujarati dandiya, bhangda and hip-hop in the song.
Yoon Shabnami- Sanjay Leela Bhansali’s love affair with the moon continues as yet another moon (chand) song appears in his movie. After “Chand Chupa badal mein” in Hum Dil De Chuke Sanam and “Who chand jaisi ladki” in Devdas “Yoon Shabnami” takes this legacy, this love affair one step further. The song tops the previous songs on moon and one of the main reasons for it is the person it is referring to- Sonam Kapoor. The song makes one feel that the one song “Masha Allah” was not enough to describe the beauty of this gorgeous goddess. I think the movie should have been titled “Hum Dil de Chuke Sonam.”
Sanjay “black” Bhansali-
“What went wrong after black Mr. Bhansali?” this is the question everyone shall be asking Sanjay Leela Bhansali after seeing Saawariya. My guess is that either the success of Hum Dil de Chuke Sanam, Devdas and Black went straight to Mr. Bhansali’s head that he didn’t give the script a second thought or there comes a time in person’s life when he thinks what he is doing is right in spite of what others say even if others are right. It happened with the showman Subash Ghai, who after almost 13 consecutive hits made “Trimurti” and “Yaadein” Mr. Bhansali though had this misfortune only after three countable hits.
The story is very weak to work in the Indian audience. And to top it Mr. Bhansali’s scripted a screenplay that makes one wanna kill himself/herself 10 mins. into the movie. Really. The screenplay is dull and fails to keep the audience entertained. At one point in the movie it seems like Mr. Bhansali is kidding with his audience who have had such a lot of faith in him. This kind of a movie is not expected from a movie maker who is considered as one of the finest in the country.
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In the end…it doesn’t really mater-
The anticipation of the movie and the publicity behind it may make Saawariya a hit, at least economically. The mystic and grand sets, the hard work of new superstar of tomorrow and the refreshing music may give Mr. Bhansali a narrow escape this time but the next time he thinks of getting behind the camera he should think about the audience whom he let down because of one blunder movie. He could have easily ruined debut of two of the finest actors, who also had a narrow escape because of their diligent nature. Thumps up to both of them and thump down to Sanjay “black” Bhansali, who has denigrated his own name by his own hands.
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